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Space Painters - Wallpaper Results That Are Out Of This World
Although these were features of Northwest Coast Indian as well as Peruvian and oceanic art, Wheeler emphasized that they were universal ideas that he only later saw confirmed in primitive art. He never exhibited with the Indian Space group or considered himself part of it. In the spring of Barrer and Collier, together with their writer friend Kenneth Beaudoin, started Iconograph. Focusing on issues of language and symbol, as well as North American Indian culture, the magazine served as a forum for new ideas in the arts. With Beaudoin as editor, Collier as associate editor, and Barrer as art editor, five issues and two supplements were published, the last appearing in the fall of A subsequent issue was published by Collier alone.
Barnett Newman described the ideographic image made by the Northwest Coast Indians as a "shape [that] was a living thing, a vehicle for an abstract thought-complex. The Northwest Coast Indians emphasized the essential unity of all things, seen and unseen. Through their intense awareness of animals, believed to embody the magical sources of nature, they selected their most characteristic movements and habits, distilling them into symbolic representations that conveyed their very essence.
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Often they used their immediate surroundings as the starting point for their work, as Howard Daum does in many paintings of the urban landscape of Union Square. According to Helen DeMott, "The landscape is tied to our identity. A recognition of place and the innate desire to record its physical existence is a way of affirming our own. The Indian Space artists saw in the metamorphic power of tribal art a way of fusing the formalism of Cubism with the inner vision of Surrealism. Many of the Indian Space artists adapted some of these pictorial methods, transforming personal themes into an iconography that expressed a vision of the modern world's ambiguities and complexities.
Wheeler and Barrell, for example, distort and fragment forms so that there are scarcely any recognizable points of reference.
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There are, however, narrative elements in their paintings, although much of the interpretation is left to the viewer. Wheeler incorporates recurrent motifs, such as grimacing masklike images and other comic and grotesque features, transforming themes of popular culture into a "record of life as a whole.
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Barnet's painting depicts the abstracted, emblematic forms of his three children, represented by such elements as their vertebrae. Although they lack the common belief system of tribal cultures, some of the artists have created their ' own pictorial cosmologies.
Ultimately this language was assimilated and then eclipsed by the ascending movement of Abstract Expressionism.